剧情简介
康沃尔渔村的(🔨)风(🆓)景明信(xìn )片(🥇)田园诗误导了(le )人们(men )。虽然过去钓鱼(yú )是一(🤴)种(zhǒng )养家(🔧)糊口的方(fāng )式(shì )，但如今(🔬)富有的伦(lún )(🥩)敦(dūn )游客纷(📿)纷下山，取(🎏)代(dài )(❣)了(🌗)当地人(📼)，当地人的生计因(yīn )(👑)此(cǐ )受到(🗄)威胁。史蒂文和马丁兄弟的(🚉)关系也(yě )很(hěn )紧张。马丁是一个没有船(chuán )的(de )渔夫，因为史蒂文(wén )开(kāi )(🤷)始用它来为一(yī )整天的游客提供(gòng )更(🛑)赚钱的(de )(🖲)旅游。他们卖(🎛)掉了这(🥎)座家庭别墅(📙)，现(xiàn )在看来(lái )，最(zuì )(🤸)后一场战(zhàn )斗(dòu )是和新主人在海边的停车位上(shàng )展(zhǎn )开。然(⛳)而，情况很快就失(shī )(🥕)控(kòng )了，而(ér )(🚴)不(🧣)仅仅(⚾)是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫(háo )米胶(jiāo )片制作的电影。许(xǔ )多关于鱼、网、(🎥)龙(🐡)虾、长靴(🔍)、(😙)绳结和渔篮的特(tè )写(🥤)镜(jìng )(🔷)头让(♌)人想(xiǎng )起了蒙太(🔞)奇景(🚲)点的理论。对不同社会阶层的描述—(⏳)—可以(yǐ )(🎐)说(shuō )(🍁)是阶级关系(👗)——也让(🍺)人想(xiǎng )(🐂)起了英国(👩)电影中(zhōng )的社会现实主(🎴)义传统(tǒng )。然而(🏸)，最重要的是，在(🈳)影像(🔬)中不同(tóng )层次的电影历史参考文(wén )献(xiàn )之下(xià )，当前许(🛃)多政(zhèng )治(zhì )关联正在(🐇)等(děng )待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
